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Ballet Luminary Matthew Ball on Grueling Parts and Social Media Scrutiny: 'I Don't Feel Protective About My Body'

Within the quiet atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His posture is effortlessly straight-backed, his limbs defined beneath a simple tee. On stage, dancers can appear like powerful gods, yet often in person they are small. Not so Ball, whose tall stature is one reason for his demand for heroic characters and pas de deux work. With delicate features and piercing eyes, there's a hint of a brooding actor about him.

An Apparent Rise to the Pinnacle

At 31, Ball is enjoying the peak of a career that has advanced seamlessly. Raised in Liverpool, he faced minimal teasing for his early interest in ballet. Joining the esteemed training institution at 11, he graduated straight into the troupe and was advanced each year, reaching the top rank of lead dancer in 2018. He has loved tackling meaty characters, particularly the emotional angst found in Kenneth MacMillan's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

Ball's next starring appearance is as himself, in an "In Conversation" event designed to offer behind-the-scenes insights into a dancer's art. He will walk the audience through a role, showing his mental workflow while execution. Even in more comedic works, the test is profound. "Don Quixote is one of the toughest technically," he notes.

The Mental Struggle and After the Show Feelings

How does he feel following a performance, when he has succeeded? "It's pretty good," he admits. "However because I'm trying to extract all the juice out of it, and get lost in the role, quite often I do feel embarrassed afterwards. After an intense role I'm always thinking: Wow, what must people think?"

Offstage, Ball is reflective, mild-mannered, and prone to laugh at himself. Yet a dance maker previously remarked on a "sense of suffering in him." Is there? "I'm quite active in general, but I do have a melancholy streak," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that negativity has been an catalyst for good change."

Formative Motivations and Creative Influences

His determination originated in youthful setbacks. Not excelling in contests at school made him "driven!" This became fuel to demonstrate he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he recalls.

The next endeavor is making his own choreography. For Ball, "organic movement has value." "Challenging the conventions is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be loaded with meaning, drawing ideas from books, compositions, and art.

Close-Up Dance and Private Dynamic

He additionally is interested in presenting dance in smaller venues. "It was just really thrilling," he says of a past show. "You’re so close to the audience. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has made duets with his girlfriend, fellow principal Mayara Magri. The degree of faith between them is clear. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." The couple aren’t typically paired on stage at their home company, which is perhaps healthy. "We’re both quite determined people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s favorite supporter."

Regarding Instagram and Bodily Perception

On Instagram, fans can see videos from his dance films and photos that highlight a athletic physique. Does he care that the engagement can be a bit objectifying? Not really. "The body is just what we work with, so I don’t feel very precious about it," he states. He relates it to viewing Michelangelo’s David—something that can be seen on various levels.

Ball characterizes his younger self as "desperate for success." Has it lived up to his hopes? "I feel very aware of how reality is a separate thing to the aspirations you had as a young person," he muses. He likely has about ten years of performing left. "I guess in the future, I want to be a bit more kind with myself."

About the author

Cynthia Montgomery

A city planner and lifestyle blogger passionate about sustainable urban living and creative home solutions.

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